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'Ploy' was the duo's very first release, and it was barely a surprise to hear the pounding lead track revamped by Underground Resistance on the flip, but hidden below the more playable front and back ends was 'Eleye', a hazy, burned-out blend of echoing percussion and entrancing pads that served as a prescient signifier of what was to come.

The belting drums that defined the initial track were pressed deep into the mix and draped in pinging synthesizers and spacious echoes. Ernestus and von Oswald still desired to classify the music as minimal techno, however there's no rejecting dub's impact here. Finnish producer Kimmo Rapatti (aka Mono Scrap) isn't as commonly called his German peers, but when 'Channel B' dropped in '95 it was no less influential at the time.

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Juan Atkins and von Oswald were currently deep in cooperation by the time this enormous remix dropped in '95. Together With Thomas Fehlmann the 3 manufacturers taped on Tresor as 3MB, so von Oswald's rework of 'Starlight' was simply a solidification of links that had already been made. Just Like Basic Channel's 'Lyot Rmx', the percussive components are nearly inaudible at times, allowing the familiar filtered pads and causes serve as the rhythm something that would later turn into one of the category's most defining tropes.

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Fehlmann's value can't be sniffed at however, and 'Schizophrenia' is an uncommon moment where he allows himself to go headfirst into sparkling, trance-inducing long-form dub techno.  Check it Out . Ernestus and von Oswald's impact was spreading out quickly by the mid-90s, and while Jrg Hamburger and Wolfgang Voigt's extraordinary [Las Vegas] full-length wasn't entirely immersed in tape hiss and Space Echo feedback, 'Twelve Miles High' is an excellent example of the duo exploring with the nascent noise.

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Ambient music pioneer Thomas Koner and engineer Andy Mellwig developed some of the label's essential product, and the combination of Koner's skillfully controlled textures and Mellwig's sub-aquatic beats was a resounding success. Focusing (like Drexciya) on nautical styles, their entire launching album Biokinetics felt like being immersed deep beneath the ocean, and 'Nautical Dub' is most likely the finest example.